The film is adapted from the autobiography of Wladyslaw Szpilman, a Polish Jew who detailed his survival during World War II. A composer and a pianist, he played the last live music heard over Polish radio airwaves before Nazi artillery hit. During the brutal occupation, he eluded deportation and remained in the devastated Warsaw ghetto. There, he struggled to stay alive even when cast away from those he loved. He would eventually reclaim his artistic gifts and confront his fears, with aid from the unlikeliest of sources.
Set in New York during the Depression, this is the story of James Braddock (Crowe), who takes up boxing to make money to feed his family, and ends up becoming quite famous in the process, eventually going up against champ Max Baer.
Atticus Finch, a depression-era Southern attorney, fearlessly defends a black man accused of raping a white woman.
Ray is the musical biographical drama of American legend Ray Charles. Born in a poor town in Georgia, Ray Charles went blind at the age of seven shortly after witnessing his younger brother’s accidental death. Inspired by a fiercely independent mother who insisted he make his own way in the world, Charles found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered incorporating gospel, country, jazz and orchestral influences into his inimitable style. As he revolutionized the way people appreciated music, he simultaneously fought segregation in the very clubs that launched him and championed artists’ rights within the corporate music business. “Ray” provides an portrait of Charles’ musical genius as he overcomes drug addiction while transforming into one of this country’s most beloved performers.
Set against the sweeping landscapes of Wyoming and Texas, this epic love story tells of two young men — a ranch-hand and a rodeo cowboy — who meet in the summer of 1963 while driving cattle on a mountain range. They unexpectedly forge a lifelong connection, one whose complications, joys and tragedies provide a testament to the endurance and power of love.
E.T. THE EXTRA-TERRESTRIAL is Steven Spielberg’s warmhearted classic for both children and adults. It tells the story of an alien creature, E.T., mistakenly left behind on Earth. When a young boy, Elliott (Henry Thomas), finds E.T. and hides him in his home, both their worlds are changed forever. E.T. teaches Elliott and his two siblings (Drew Barrymore and Robert MacNaughton), whose parents have recently separated, about caring and love while the children protect E.T. from the malevolent world of grown-ups. Elliott and E.T. become so close that they share emotions; as E.T. becomes ill, so does Elliott. The children end up going on a fabulous adventure trying to help E.T. find a way back to his home planet. The movie was originally going to be based on a story idea by director John Sayles, but after he removed himself from the project, screenwriter Melissa Mathison (Harrison Fords wife) took over the script and made it her own. John Williamss soundtrack became forever linked to E.T. THE EXTRA-TERRESTRIAL.
Based on a true story, SCHINDLER’S LIST is Steven Spielberg’s epic drama of World War II Holocaust survivors and the man who unexpectedly came to be their savior. Unrepentant womanizer and war profiteer Oskar Schindler uses Polish Jews as cheap labor to produce cookware for the Third Reich. But after witnessing the violent liquidation of the walled ghetto where the Krakow Jews have been forced to live, Schindler slowly begins to realize the immense evil of Nazism. When his employees are sent to a work camp, they come under the terrorizing reign of sadistic Nazi Amon Goeth (Ralph Fiennes). With the help of his accountant, Itzhak Stern (Ben Kingsley), Schindler creates a list of “essential” Jews. Bribing Goeth, Schindler manages to get 1,100 people released from the camp and brought to the safety of his munitions factory in Czechoslovakia. Spielberg’s glorious film is wondrously evocative, visually stunning, and emotionally stirring.
This is the true story of a former bicycle repairman, Charles Howard (Bridges), who made his fortune introducing the automobile to the American West, and who owned a small, knobbly-kneed horse called Seabiscuit. Howard teamed up with a half-blind ex-boxing prize fighter, Red Pollard (Maguire), who became the horse’s jockey and a former “mustang breaker” Wild West performer called “The Lone Plainsman”, Tom Smith (Cooper), who became the horse’s trainer. As the United States struggled through the Great Depression, people around the country followed with rapt interest of the Seabiscuit story, leading to his win of the Horse of the Year honors in 1938.
On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister, Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper’s mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony’s childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London.<br><br>Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan’s highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives head-first into the emotional subtleties that make the story so wrenching. Whether any of the characters’ actions are ultimately atoned for by the end of the film is a matter of perception, but Wright’s sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling–Ronan’s luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy’s sensitive face; the defiant jut of Knightley’s jaw as it melts into tender affection. The honey-drizzled look of the first two-thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate.
Based on the true story of how Charlie Wilson, an alcoholic womanizer and Texas congressman, persuaded the CIA to train and arm resistance fighters in Afghanistan to fend off the Soviet Union. With the help of rogue CIA agent, Gust Avrakotos, the two men supplied money, training and a team of military experts that turned the ill-equipped Afghan freedom-fighters into a force that brought the Red Army to a stalemate and set the stage for conflicts in the Middle East that still rage to this day.